• August 7

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    NDAC Production Pod Meeting

    Tour a brand new, state of the art print and direct mail facility • Provide input on establishing our Pods focus and goals • Volunteer for the event committee and help steer our Pod’s future • Refreshments provided

    When: Tuesday, August 7, 2007, 5:30 pm to 7 pm
    Where: Henry Wurst, Inc., 5000 Osage Street, Ste. 100, Denver, CO 80221
    Info: NDAC

  • August 3

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    Jason Thielke Art Opening

    The show is called “Birds” so we presume that’s what the subject matter will be for these new works by Jason Thielke.

    When: Friday, August 3, 2007, 6:00 PM to 10:00 PM
    Where: The 400, 1010 Banock Street, Denver, CO 80204
    Info: Jason Thielke

  • To Be A Big Success, Act Smaller

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    We received this article from our friends over at BrandJuice. Interesting insights on how to make a product successful in the beginning stages and good insider info on what exactly it is BrandJuice does for clients. Article written and submitted by Peter Murane, president of the company. Thanks, Peter!

    In consumer packaged goods, the bigger, the better. The bigger you are, the more clout you have, the more creative you can be, and the more innovative products you can bring to consumers, right? Unfortunately, that’s not as true as it could be.

    While there are a number of benefits that come with being “big,” it’s more likely that if you are acting your size, you are holding yourself back from your true potential. Acting smaller allows you to be nimble and flexible. It allows you to get great ideas quicker, work more of them, move on them faster and develop them easier. It’s what will allow you to find true innovation, versus incremental line extensions and me-too products.

    To do this, we’re not suggesting that you fire 200 employees and act like a start up. We’re also not telling you to spend hundreds of dollars instead of millions to develop new products or even to ditch traditional market research. You can get the benefits of amazing innovation by making just a few shifts in your mindset and changes in cultural expectations.

    Allow Intuition
    The first thing you should do is allow intuition in the innovation process. And, yes we know that senior management isn’t interested in investing in your “gut.” But cultures of “show me the data” have resulted in companies perpetually chasing trends and numbers instead of great ideas. If you are spending your time chasing data, you are really chasing perfection, a much bigger risk in the innovation process – you might not ever find what you need, thus wasting a lot of time and resources.

    If you must have data (which is okay!) decide ahead of time what data you trust (consultant studies, BASES screen, etc.) and know what metrics matter to you. This will keep you from being paralyzed looking for the “right” answers when you should be moving on or moving forward. But more importantly, allow yourself to use information to form a direction, not a statistical answer.

    One way we do this is through “battle testing.” When refining a product idea, we often develop a small batch of products that feature various packaging and communication options. Then, we set up a booth in a mall, fair or farmer’s market, for example, and see which product consumers most respond to. After we see what they buy, we are then able to talk to them about their purchases and choices. After only a few days, we know what changes to make to the product and can do a few more tests like it, in independent retailers, online retailers and other avenues. We will never know volumetrics, repeat data or projected sales in year one. But we are able to triangulate enough data points to know what product changes to make and intuit what is likely to be successful in market.

    Reward Risk
    By seeking innovation certainty which simply does not exist, not only do you waste years getting to market and thousands, if not millions, of dollars in development, you also create risk adverse employees who are afraid to reach for the big idea. Due to a fear of not making growth projections, and ultimate job loss, they are handcuffed to incremental line extensions that hit minimum growth targets.

    By fostering a culture of fearlessness, you allow more ideas to enter the process from every angle and every position. Shift your paradigm and reward your employees for taking risks instead of punishing them for failures. Give them credit for ideas that are 70-80% there, instead of 100% perfect (and impossible). Long-term, it is well worth the investment. You’ll be able to work more ideas, and improve your chances of finding a homerun idea.

    Trash the Paper Concept
    The search for perfection can also result in the over-engineering of product ideas and time wasted in focus groups and with expensive designers. It’s always a great idea to start with paper concepts – put the benefit, attributes and a product sketch on paper and see if it is worth anything to consumers. But before you find yourself trapped in the dark walls of a focus group facility, make the product and let consumers interact with it.

    We know that consumers don’t buy consultant PowerPoint presentations or fancy concept boards – they buy products. By making a few and selling them, you can evolve your product in small batches, find the right messaging, formulation, recipe, whatever factor matters most to consumers and they want you to develop. And by watching consumers interact with something real, you are able to develop an instinct for why a concept does or does not work, further utilizing the gut intuition you’ve developed in the right time and place.

    Success Story
    One of the best examples of all these ideas in action is the cleaning company Orange Glo International, makers of OxiClean, Orange Clean and Kaboom. Orange Glo developed products based on rough ideas, produced some samples and took them to home shows. By using real sales from the show combined with consumer interaction, they were able to tweak packaging, positioning and formulations to come up with a refined product they could take to retailers nationwide. They consciously chose what information and data mattered to them, made decisions based on that data and never punished their employees for a product that didn’t immediately fly off the shelves. To prove their success, they sold their brands to Church & Dwight for $325 million last year.

    Instead of driving for perfection, develop cultures of risk and reward. Stop driving for perfection and the rewards you will reap are more ideas, better ideas and the ability to kill and improve those ideas efficiently. At BrandJuice, two of our core offerings are innovation and battle testing. To learn more about how we can bring these philosophies to you through our services, please contact me at peter (at) brandjuice (dot) com or call (303) 629-0560 ext 204.

  • July 27

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    FAC “Giving Voice: Poster Exhibition”

    This summer, a poster project paired 8 teens with disabilities with volunteer designers from AIGA Colorado with the goal of giving the kids a voice about how disability has affected them. Graphic designers from firms such as Ekstrand Creative, Idaho Stew, Gensler, Limber Creative and Liquid Design collaborated with the teens to share their most frustrating obstacles they encounter related to accessibility.

    FACs are open studio tours held the last Friday of the month. Co-hosted by AIGA CO and Art Directors Club of Denver, these unique events offer a chance to see different working environments and network with a variety of creative individuals. FACs are free and open to the design community. This month, we’ll be visiting Access Gallery to review the exhibit: Giving Voice: A collaborative design project of VSA arts of Colorado, AIGA Colorado and the Colorado Cross Disability Coalition.

    When: Fri, Jul 27, 2007, 5:00 PM to 7:00 PM
    Where: Access Gallery, 909 Santa Fe Drive, Denver, CO 80204
    Info: andybosselman.com/aiga/aiga_PR_poster.html

  • July 26

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    New Denver Ad Club – Creative Pod Meeting

    Topics include the Gunn Report, The Denver 50 Ad competition, reviewing the new TV reel from Archive Magazine and beer consumption.

    When: Thursday, July 26, 2007, 6:00 PM
    Where: Thought Equity’s Joint, 1899 Wynkoop
    Info: NDAC

  • Advice - On Creative Directors

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    My CD is killing me. His creative direction is unintelligible, he can’t sell concepts and he’s out the door before the clock hits six every day – leaving us to fend for ourselves. Morale is shot. Got any advice for the weary?
    – Steve

    Steve,
    You sound a little like the last guy who wrote in—only without the dream job.

    I’m glad you wrote in, because I’m pretty sure I know exactly what’s going on here. However, before I tell you what I believe the situation to be, I have a few questions that I need you to ask yourself about your Creative Director:

    1. How is his appearance? Does he dress like someone far younger than his age—but not in a cool way, more like an uncomfortable and sad way?

    2. Does he seem to be hanging out with new friends? For example, has he stopped IMing the Art Director he brought along from his last job in favor of a recent award-winning copywriter brought in to help on a couple of new projects?

    3. Has he taken exceptional creative work and made reckless changes to it for no evident reason?

    4. Do the deceptions in his messaging seem to be unnecessarily misrepresentative or outright fraudulent?

    5. Have you noticed that he has a new and expensive cell phone, laptop, or bluetooth earpiece every time you see him? Does he appear to have an unlimited budget for extravagant personal items?

    6. Are his eyes filled with streaks of PMS 186 and/or are they dull and unfocused like an uncoated sheet of cheap house stock? Is his skin a warm gray 1?

    7. Does he regularly direct verbal hostility and hopeless frustration towards his creative staff, but none towards the client?

    8. Does he often change creative direction in the middle of a project with no adjustments to the creative brief or explanation of the new direction?

    9. Does he ignore feedback from you and others on your team and make his own haphazard decisions—usually at the last minute?

    10. Does he mysteriously disappear in the middle of the day without giving anyone any indication of where he’s gone or when he’ll be back?

    Now, if your answer to most of these questions was “yes,” I can safely confirm that my original assessment of your situation was accurate: this is clearly your first creative job. Welcome to the business, Steve.

    Denver, I’m here to help,

    Speedball

    Need advice? You can contact Speedball at speedball@theegotist.com, or follow him on Twitter: @spdbll.

  • July 17

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    BuzZ Independent Designer Roundtable

    This month we’ll cover contracts of all sorts – copyright issues, ways to keep rounds of changes under control, what to do if a project gets canceled and how to handle client disputes. Take charge, be professional and get out of the cycle of bad client/subcontractor relationships.

    When: Tue, Jul 17, 2007, 8:30 am to 10:00 am
    Where: Fluid Coffee Bar, 501 E 19th Ave. Denver, CO 80203
    Info: AIGA

  • Advice - On Marriage

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    I have landed the gig of my dreams working as an Art Director at [agency name removed]. Everyone here is pretty much expected to work serious overtime and my wife is starting to get seriously pissed off about it. I love my job, but I also love my wife. Part of me expects her to be more understanding and supportive of my situation, what should I do?

    Yours in desperation,
    Jacob Limpic

    Dear Mr. Limpic,
    I hear this problem a lot. Who among us in the creative industries hasn’t found themselves toiling away at work night after night and spending less and less time with their loved ones as their career takes off? The divorce rate at advertising agencies is one of the highest in the nation. I suspect the same holds true at design firms, but I couldn’t find any statistics for civil unions so I can’t be sure.

    Do we work like this to make humanity a better place and maybe save some lives? Of course not! We do it because we hate our spouses or because our Creative Director just got transferred to our office from NYC and he doesn’t know anyone here or have anything better to do than work all the time. Since you mentioned you don’t hate your wife, I’ll assume you simply don’t have the option to say no to your boss. I’ll go one step further and presume that you probably don’t even have time to call your wife and tell her not to wait up most of the time. Do you really expect her to understand that? Don’t be stupid.

    Don’t lose hope though, every cloud has a silver lining.

    First off, you need to think of your wife’s complaints like oil stains on your driveway. As long as they are fresh and small you know there is probably still some oil in your engine. Once they are no longer fresh, or they are huge, you are probably out of oil and your engine is going to seize up. Just know that as long as your wife is complaining, it means she is unhappy. Since you really have no choice but to keep working long hours, you can at least take some comfort in knowing that she’s very unhappy with the way her life turned out. Why is this comforting? Because as soon as she starts being happy, it means she’s screwing someone else.

    Secondly, you need to put things in perspective. You have the job of your dreams! Can you say the same thing about your wife? You wouldn’t trade this job for the world, but I’m guessing you can think of a few newer models you’d consider trading in your high-milage wife for. Be honest. Who knows, maybe like so many of us working late with that cute little media planner or production intern, you’ve already started taking a few test drives. The next time your wife is complaining about your hours, just remind her of where she fits into your hierarchy of needs—maybe also remind her that Volvo wagon doesn’t pay for itself either.

    Anyway, I’m not saying this situation is ideal, but just be glad you’re not a doctor. Their divorce rates are higher and they get desensitized to nudity while at work as well.

    Denver, I’m here to help,

    Speedball

    Need advice? You can contact Speedball at speedball@theegotist.com, or follow him on Twitter: @spdbll.

  • July 12

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    Ad2 Denver’s Next Happy Hour Event

    Come share a drink or two with other young professionals from around the industry and learn about the exciting new things going on at Ad2, Denver’s newest networking organization, exclusively for the next generation of advertising and marketing professionals (32 & under). We will be offering specials on drinks and appetizers as well as a smashing good time!

    When: Thursday, July 12 from 5-7
    Where: Max Gill & Grill in the “Tiki Lounge” 1052 S Gaylord St.

    LEARN IT, LOVE IT

    Let your ideas take flight in your choice of media, from print to web to mobile, using the tightly integrated tools in Creative Suite 3 Design Premium. From exploring design concepts to finessing production details, you can leverage the tightly integrated tools in Creative Suite 3 Design Premium to make even your most visionary ideas real.

    When: Thursday, July 12, 6-9pm
    Where: TeleTech

    More Details Here

  • Coming home to Denver

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    Spend the first twenty-four years of your life in Colorado. And it’s all you really know. Move back here after five years in L.A. And every, single thing you thought you knew looks the opposite. L.A. is 24/7/365. Denver is 8/5/261, with an hour set aside for lunch each day. L.A. is a creative circus. Denver is a one-armed clown juggling for street change. L.A. is pushing the envelope. Denver is looking for one of those wet sponges to seal up the envelope and mail it off to Grandma Tilly.

    But L.A. is also filled with cutthroats who will run through you to get what they want. In Denver, people say “hi” and “have a good day” and “thanks.” L.A. sucks people in and forgets about them. Denver remembers anyone who ever did something noble for the city. Ninety-nine percent of people in L.A. never have a chance to be the star. Ninety-nine percent of people in Denver just need to step up to the plate. For all these reasons, this site is dedicated to the creative longevity of this city we both love. Let’s raise the bar.

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