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Every day we see on the news how our economy, our country, and our species, globally, is slipping.

We think globally and act locally. We adopt charities in Africa. We occupy Wall Street. We lift up the common man, worry for the middle and lower classes. And above all, we love resenting, and hating, the rich.

Then we rush together for the Super Bowl to celebrate the most ostentatious display of wealth, insensitivity and celebrity idolatry imaginable.

To me, the most glaring contradiction is nothing new to sports and media, just more obnoxious in these times -- having a major car manufacturer give a brand new sports car to the multimillionaire who was just crowned a bigger multi-millionaire. While Detroit is running commercials during the same game that acknowledges, in words and pictures, the Super Real World of joblessness, foreclosures and suffering families in fallen cities, they follow up by giving a brand new sports car to the least needy person in the world. And we scream and cheer. (What?) Even Eli didn't care. Did you hear in the audio track, "Oh Eli, wait! You might want the keys!" Guess how many families could use the car Eli already forgot he had?

But this year's crowning irony were the two words at the end of Madonna's millenia-spanning spend-a-thon of enormous casts of dancers, soldiers, and cheerleaders jumping across moving sets of chariots, grandstands and marching Roman armies, navigating multiple stage transformations and the additional counter-celebrity who joined her. At the end, they present the phrase, "World Peace." (WHAT?)

If the Super Bowl was just the yearly ritual of rabid football fans who were loyal, captivated students of the games, I would have no problem with deserving football junkies spending whatever they want to express a love of the game, their passion, the moment.

But it's not a football event, it's a yearly American reaffirmation that no matter what we say in our self-righteous blogs, our political discussions, and twitter feeds to CNN, we really do love our celebrities, we do love that they are rich, we love mega-productions of epic scale, and we all secretly feel that if we raise a beer to the screen and scream that one day a year, even if we don't know a touchdown from a home run, we count too; I am a part of this bombastic show too; I am in the midstream of what matters most today; I'm part of what my world is obsessing about right now. I can always return to my more-aware, more sophisticated, more critical self tomorrow, and remember that I hate suffering, and therefore the evil money empires that enable it.

But first, I want to find out how they got those monkeys into those suits! That was awesome!

Tom Townsend is co-founder and Chief Creative Officer of Rodgers Townsend, a DDB Company located in St. Louis. Previously, he was Senior Vice President/Group Creative Director at DMB&B.


Yeah, all I remember as of this point today was the camera shot of Eli silently shouting Fuck with stamina and adrenaline when Tom Brady almost got ahead on the scoreboard with the longest drive in a superbowl in history.

It would suck to lose and hear the house your brother built one more time and be in his shadow in the same! With all the fun those two have with the money and leeway with their own commercials. At least for the most part theirs are good old fun and entertaining? In the little immature symbols of a perfect godlike life, legacy, and career. What regrets?

This commercial is harrowing of a hard face of reality from the bigger than big event that brings together all in this grandeur inclusion of anticipating excitement.

Good article for perspective of blue collar to everyone wanting to be a part of it. This article is great for the symbolism(Current Issues of American Politics and Business) of Eastwoods commercial that stood out drymatically more so than the dry nailed football game itself:


The worst part is that the ad with the deepest, lasting message played when most people were in the bathroom.

I was wondering why I missed it too, but it was a pleasant present on the Internet the next day when there was major down time. That will make me significantly remember it always as a big standout, because it stands on it's own. With a powerful and significant message in it's self.


There strategy was the same as last year; Featuring the home vernacular of Detroit, being narrated, and using a big celebrity. It is a great formula for success being a constant strong stand-out in the serious dramatics! Maybe that is why they went with the same strategy?

Eminem SB XLV:

$652 million loss in 2010, $183 million gain 2011, and a 12.5 billion gov. bailout in 2008.

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