• Go Away. Shoo, Bear.

    / Comments (2)

    Love this new spot from Minneapolis' Carmichael Lynch for Tempur-Pedic, an account they landed back in December. Sleeping is fun. Why shouldn't mattress ads be?

  • You've Never Seen the Night Like This

    / Comments (0)

    Nice spot with a clear product demo out of CP+B. Dig the track: "Fitzpleasure" by Alt-J.

  • What €18.5 Million Could Buy, Besides a Cannes Lion

    / Comments (0)

    This year, Cannes Lions received 35,765 entries — an all-time high, equating to €18,5 million in entry fees for agencies. This site envisions all the other things we could have done with the money. Not sure we'd want any of them more than a Lion (okay, giving emergency water kits to people in a war-stricken nation might be worthy).

  • Denver's Friends of Mine Add Flying Fun to TEDGlobal's Session Across the Pond

    / Comments (0)

    In their second TED collaboration with illustrator Sebastien Roux, aka Superdeux, Friends of Mine created the opening titles for "Those Flying Things" — a series of talks about the future of flying robots at this year's TEDGlobal 2013 conference, titled 'Think Again' in Edinburgh, Scotland. Fun work, guys.

    Credits:
    Agency: WE ARE Pi
    Director: Sebastien Roux / Superdeux
    Collaborators: Friends of Mine (animation), Junior Market (audio)

  • The Art of Hot Rodding

    / Comments (0)

    Meet Mike Burroughs' BMW-powered 1928 Ford Model A. Fugyeah, it's nice. Read about its creation here.

  • The Unforeseen Benefits of Leak-Proof Tampons

    / Comments (0)

    The ad appeared in Movie 43 – a flop that had just this one 30-second highlight.

    Via

  • Drink from the Beer River

    / Comments (1)

    This will be the Kegs With Legs party to rival all before and after it. Thursday night.

  • Surfrider Foundation Takes On Plastic Pollution

    / Comments (0)

    Arnold Furnace has created a new print campaign for the Surfrider Foundation, to generate awareness of the extent of plastic pollution in our oceans. Rather than do a typically graphic, hard-hitting campaign, they wanted the power of the campaign to come through the subtly of the executions. People are used to seeing -—and enjoying — amazing surf shots and the agency's plan was to draw them into the ads by emulating those. Only when they look a little closer do they see all is not well, which the facts then underline.

Rocket Fuel