Workaholics Of The World, Go Home.

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I can remember burning my fair share of the midnight oil when I started in this business. In fact, I can still taste the cold pizza and warm beer as my AD and I sat in a deserted office building, scribbling down ideas and wondering if 18 concepts for a campaign was going to be enough to get us through the meeting with the CD the following day.

That was inexperience. It was also the norm for new hires, especially for creatives fresh out of college. We didn’t know any better, we were juniors and we figured the best way to impress was to deliver quantity.

I also remember feeling very proud of myself as I curled up on the couch in the corner of the creative department, ready to grab a few hours of sleep before the next day of work began. My AD was out buying Red Bull by the crate. He figured he’d be better off just not sleeping at all. And we just couldn’t wait to see the faces of the senior team who had clearly given up the ghost long ago.

We scoffed as they left the office during daylight hours. On the way out, they told us to go home. We said we still had work to do; that we could do more and think more and create more. When we asked how they had done, they told us they had three or four solid campaign ideas. And as they walked to the elevator, I looked at my AD and gave him a shit-eating grin. This was going to be embarrassing.

It was.

The presentation the next day was something of a milestone for both of us. As we pinned campaign after campaign to the wall, we started to lose the interest of the CD. He was clearly becoming bored, and campaign 15, the one we thought would blow him away, had barely raised an eyebrow. The phrase “what else have you got?” was being repeated with a frequency we weren’t too happy with.

Finally, we were done. He thanked us for the effort, and then asked the senior team to present their ideas. The first campaign, well, it was good. No, it was really good. Better than anything we’d put on the board.

As it turns out, this was just fodder to whet the appetite.

Campaigns two and three, they were award-winners. Campaign four, well, it was so rich and thick with creative juice that we could have bottled it. We watched, like rubber-neckers at a car crash, as the CD and the senior team started chit-chatting about which one of the four campaigns should be presented to the client.

Our work didn’t get a mention. Not one word.

On the way out, as we gathered up our piles of paper with faces longer than John Holmes’ schlong, the CD patted us on the back and thanked us for the effort.

We’d done everything right. We’d dug in, drank coffee by the gallon, slept at the office, produced campaign after campaign, we’d even brought a change of clothes so that we could look fresh for the next day.

What we hadn’t done though was put our effort into the right place. We had been so intent of throwing out quantity that we hadn’t really focused on the brief. We didn’t edit ourselves. We didn’t re-evaluate each idea, or see where it could be made better. We didn’t give anything the overnight test, and we also had muddy thinking. The senior team, they were sharp and rested when they presented the work. They only had four ideas, but they were all contenders. They’d given the work time to sink in, and made changes in the morning that honed each idea to perfection. Not us. We’d worked ourselves into the ground, while they had hit a home run and had eight hours of sleep in a comfy bed.

We swore wouldn’t make that mistake again.
But we did.

All too often in our career, we were workaholics. The need to constantly produce, and to be seen to be producing (the martyr factor), was something we had a hard time shaking. We got in early, we worked through lunch, and we left late.

As time went on, the quality of the work improved, and the quantity went down. But personally, it took me a decade to learn that being a workaholic takes its toll on everyone. And it was echoed in a great book called Rework, by Jason Fried and David Heinemeier Hansson.

The main problem with workaholics is that they throw time at a problem. They think that by spending more time working on something, the end result will be much better.

“Of course it will” most of you are screaming. As creatives, we all want to spend more percolating on a project. That’s not the issue. This is the difference between spending the required amount of time on a project, and an unreasonable amount time. We all need time to sit and percolate. We all need more than a few hours to crack a brief. That’s not the issue.

Workaholics don’t care for timelines. They don’t need them. Whether you give them twenty hours or two hundred hours, they’ll always go over. There’s almost some insane pleasure that workaholics get from always staying late, getting in early and working weekends. It’s almost like we have to admire them for sacrificing every aspect of their lives in the pursuit of one more idea, or one more execution.

Sometimes, workaholics will hit on a great solution within a day of being briefed. I mean a real killer idea. But that won’t stop them from creating reams of fodder to throw on the walls. Ah yes, the twenty extra campaigns that serve to “show your thinking.” Do they really serve anyone but themselves?

There are problems with workaholics that go beyond personal sacrifice though. They make everyone feel like crap. If you’re walking out of the office at 5.30pm, happy with your work for that day, and Joe Schmo is still hunched over his desk with a hot cup of coffee and a sleeping bag by his side, you feel like you’re somehow the lazy one.

Why?

If you didn’t crack the brief yet, and the deadline is fast-approaching, maybe you should consider sticking around until it’s done. But if you’re all good, there’s no need to burn any more oil. You’ll be fresh and rested when you get in tomorrow. You’ll not only be able to react to new challenges, but be proactive. Joe, he’ll be buried in work with a brain as fresh as gas station hot dogs.

Workaholics should not be encouraged. They should not be praised. And they certainly shouldn’t be demanded by any agency. It’s one thing to be putting that on yourself, but to expect your whole crew to work into the small hours and give up weekends just to make some corporate schmuck rich enough to buy another BMW, well, that’s not right.

By all means, work hard…but work smart. You are no good to anyone if your brain is Swiss Cheese. And if you want a career that spans more than a decade, you need to set priorities. Or before you know it, the workaholic in you may just become an alcoholic.

I write this on a Friday as I know some of you in town will be preparing for a weekend hunched over office computers, marker pads and pots of coffee. Think long and hard about the path you’re choosing. Or the job you think you love will soon be one you hate with a passion.

Comments

Inspiration almost never comes when you're trying to beat it out of yourself. Remember to make time for long craps and longer walks. Just keep a pen and pad in your back pocket.

All true.

But I find that sometimes I really have to pour a lot of hours into a project before I can come up with even a couple ideas I'm really happy with.Quantity usually isn't worth the effort, but quality is.

Ideas and writing, for me at least, don't come out neatly on an 8:45 - 5:30 schedule. Also, it is just as important to step away from a project and come back to it with a fresh mind the next day.

The only times I've stayed past 7pm at any job was because of deadlines.

As an aspiring junior copywriter in Miami, this is a post I most definitely appreciate. I saw this kind of behavior at an interactive agency I previously worked for as a proofreader. And I couldn't help but wonder what it was like to work like that all the time. Granted, there were times I was called on to proofread some of the work at odd hours (1:00 am, 5:30 am, etc.). :)

Spot on!!! Fantastic commentary, and this:

"if you’re all good, there’s no need to burn any more oil. You’ll be fresh and rested when you get in tomorrow. You’ll not only be able to react to new challenges, but be proactive. Joe, he’ll be buried in work with a brain as fresh as gas station hot dogs."

is as relevant as anything anyone has said on this subject.

Thank you, Felix! Well said.

After reading this, I reflected on my 20s in San Francisco. We typically stayed until 2am. And the more I thought about what we actually produced and why we were there, the more I realized the following. Poor management caused a bottleneck that rolled downhill. Procrastination and lack of planning. At 2am, are minds were mush anyway. The work. Nothing notable. Come to think of it, the best work I've ever done is when we were able to let the work hang on the walls for a week or more... making small changes... letting it evolve over time like a fine wine. Nothing I've ever worked on that ended-up in Archive, CA or One Show came about over night. Nothing.

While late nights still happen from time to time, it's part of the business. But the goal is to maintain a good live/work/personal life balance. The lines are blurry since those passionate live their brands all the time. We're not just students of the business, but students of life.

My ex-creative director in Amsterdam said that he would fire anyone staying longer than 6 PM, because it means he is too slow.

My ex-managing director (when I became a CD) in Budapest said that if people stay only until 6 and not longer, they should be changed to more "passionate" ones.

That is the difference, I think.

Some people thrive by turning up the pressure and working until the crack of dawn. Others do great work from 9 to 6. There is no right or wrong way to do it. You got to go with what works for you.

Great post.

A point that was brought up (which I wholeheartedly agree with) is that getting away from a problem can actually give your mind a much needed creative break.

We don't think of it as "working", but taking a 30 minute shower can sometimes be more productive than 30 minutes of coffee-induced design hysteria.

Full agreement here. My mind is def on 1/3 speed come midnight, esp if I've been working all day. The good ideas come when I'm fresh, and staying late just to stay late always has baffled me. Get it done well, get out, get some inspiration from friends, family, beer, whatever makes you tick. Staying and working your life away ends up just sizzling the inspiration right outta me.

Re-charge!

First time in a long time I've seen nothing but positive, constructive comments on one of Felix's rants and it made me happy.

"First time in a long time I've seen nothing but positive, constructive comments"

Oh, crap. We have to remedy that for sure.

Um...You guys smell, cause I said so! And, you use too many commas when you write! And, Robert Pack should have gotten more playing time with the Nuggets! Fight Fight Fight!

Mark, I suppose if y'all really wanted to start an argument, you could have brought up Mike Shanahan?

[Fight intermission. Constructive commentary resurrection.]

Great thoughts. I'm all for quality over quantity. Coffee and deadline adrenaline are sometimes effective idea catalysts, but can lead to burn out.

The moral of this post is that you can't force creativity. Sometimes it hits you right away. Other times you have to give your subconscious a chance for some background thinking. Figure out the situations where you have your best ideas. For most people it's when your brain is on auto-pilot: showering, running, commuting, or when you first wake up. It's about working smarter. Step away, regroup, and try to pace yourself for deadlines.

The other sad reality is that not everyone is a
creative that wants to be. Some can eek out brilliance
very quickly and some can eek out dog poop in 10x the amount of time.
The best creatives deliver a lot no matter what. The so-so's deliver so-so work some of the time.

I believe that the CD being out of touch on how his staff is working to come up with creative solutions to a brief, is one way of allowing this overworking mentality to flourish. Teamwork and a solid agency process would have kept you from doing 15 concepts to present. It's a trickle down process of setting expectations and keeping everyone on the same page. If your CD was involved in your decision/creative process before he left for the day, could have pointed out your best 3 or 4 to fine tune and present, rather than allowing you to fester over creating more and more till your brain hurts. Quality comes in spurts for everyone, and as a creative you can't always have the best idea in the room all the time, that's just the truth. You'll find that being really good sometimes is what gets the job done, then when you have the great idea, it means that much more! I am also glad you read REWORK - I'm reading it now - it's a great book and I recommend it highly.

Anyone mind emailing this to the entire staff of CP+B? I know the address.

Alex built that agency on working long hours and long hours has been the norm ever since. They work on the principle of spraying bullets at a target until someone hits the bullseye. It just takes a keen CD to notice when the bullseye has been struck.

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