• The Egotist Interviews: Jeff Martin of MIGHTYkarma

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    Jeff Martin has created something in his agency, MIGHTYkarma, that we can all admire. His vision of marketing as a positive force – one that can create greater good in the world – is both true to him as a person and truly refreshing in the capitalist, money-grubbing agency world we inhabit. A world that's all but forgotten that we can use the power we wield to do more than sell widgets. We can use it to change the world for the better. We caught up with Jeff and asked him about the past, present and future of his career as it intertwines with MIGHTYkarma.

    Q: In the mid-90s (our crack research team can’t track down the exact year), you were named one of Adweek’s Southeast Creative All Stars. At the same time, you were earning awards from some of the major shows. Presumably, with this kind of attention you could have gone to a major shop in a big ad market. How did you find your way to Denver?

    A: It wasn’t exactly a direct route. And it wasn’t through a big city either. I thought about pursuing the big city, big agency angle, but it just didn’t appeal to me. You see, I grew up in Alabama. I played football barefooted (no shit). I chewed Redman. I shot squirrels. Okay, maybe this isn’t the wholesome boyhood picture I was intending to paint….Anyway, moving on. So when all that happened and some doors started opening, one of those doors was an opportunity to live and work in Jackson Hole at a small creative shop called Riddell Advertising. At the time, Riddell was showing up in the books and they had a great outdoor client list. So instead of pursuing a job in LA or Chicago or New York, I took a job in Jackson Hole, Wyoming and began working on the tourism account. And life was good. But it was also cold as hell. And after 4 years, with a new baby in tow, we decided to move to Denver. Because during my time in Jackson, not only did I get to work on some cool accounts and win a few awards, I fell in love with the mountains. And fly fishing. And mountain biking. And climbing. And snowboarding. And I wanted those things to be a part of my life moving forward as an art director. And I was lucky enough to meet a guy named Dave Reece that made it possible.

    Q: You’ve spent more than a decade in Denver, working at Reece and Company, Barnhart/CMI, McClain Finlon and the Denver office of Canadian-based Brainstorm before creating MIGHTYkarma. What did you learn from these shops—good and bad—that is shaping your vision for MIGHTYkarma?

    A: My vision for MIGHTYkarma has been shaped by a lot of experiences. Some of them came from the ad world, others didn’t. And while we try to use them as a guideline for running our business, they’re also aspects of how I try to live my life.

    1) Love what you do. Love where you do it: Build an environment that helps people say “yes” to both. If you can’t, do something about it or you’ll never be truly happy.
    2) Don’t talk down to people: This is a big one for me personally. It’s disrespectful, cheap, and could get you punched in the face.
    3) No 2 week vacations: Seriously? Two weeks a year? We have infinity vacation. Take what you need, refill the cookie jar when you get back. Just don’t leave anybody hanging. See #6.
    4) Hire good people: Not just based on their book, but also on their character.
    5) Create bendable rules: Because life isn’t black and white and in our business, where everyone loves to talk about “breaking the rules,” there sure are a lot of them.
    6) Live life, don’t preach it: It’ll make you an interesting person. You’ll be a lot happier, overall healthier, and hopefully more creative too. If not, you might want to revisit #1.
    7) No complaining or faultfinding: It’s never helped solve the problem and creates a miserable work environment.
    8) Lead with compassion: I learned this one the hard way after joining the army out of high school.
    9) No egos: The “me” mentality burns up a lot of energy that could be focused on better things.
    10) No fear: Making business or life decisions based out of fear is demoralizing. It’s okay to be afraid. Just don’t let it control you.

    Q: You came to town at a time when other local agencies were recruiting top creative talent to help put Denver on the map. Some of those people lasted a short while before packing up and moving on. Why did you stay?

    A: Because the grass always seems greener on the other side of the fence. When you get there and spend a little time, you realize there’s as much crap there as there was in the other pasture.

    Chasing good work is one way to go about this business. I decided to do the best work I could where I was. Plus, being a creative in the ad business is only a part of who I am as a person.

    It took me a long time to come to that realization. I don’t want my life to be defined by the ads I’ve done. For me, life is about experiences. Being a creative in this business has allowed me to have some really cool ones. Being in Colorado has also. It goes back to “Love what you do, love where you do it”. Right now I can say “yes” to both of those. When I can’t anymore, I’ll move on.

    Q: MIGHTYkarma is described as “a mindful group of talented people devoted to defining how communication can empower both brands and humanity.” This is a lofty statement. Explain how MIGHTYkarma is empowering humanity.

    A: I don’t think of it as a lofty statement, just something all of us at MIGHTYkarma can be passionate about. For us, it stems from the definition of MIGHTYkarma: A positive thought, word or deed set forth into the world, resulting in a greater reaction. We believe the first step begins with yourself. Empowerment comes from the individual. We have the responsibility to create a work environment that helps foster the ability and desire of employees to act in empowered ways.

    Do the right thing. Autonomously. Replace the mindset “What about me?” with “What about you?” When we donate money, time or brainpower towards helping others reach their potential, we are, encouraging them to take control of their own destiny. When we inspire our clients to put purpose behind their brands that involves giving back, they are as well. Everyday we try to put a little good karma into the world through thought, word or deed. And every time it positively affects another human being, we all benefit. And that’s empowering.

    Q: When you and your partner, Esther Kang, founded MIGHTYkarma, you made a commitment to give 10% of your profits to charity every year. During this down economy, have you been able to make good on this promise?

    A: The down economy has definitely been tough on a lot of fronts for a lot of people over the last year. In our first two years as MK, we were able to meet our challenge and really make a positive impact within the organizations we support. And this past year will be no exception. We just finished up our fiscal year and we will again be donating 10% to charity. We will always have a “give back” focus to our business no matter what the economic environment. It’s the essence of who we are personally and professionally.

    Q: Do you have any stories of how this philanthropic model has worked for you (i.e. prospects who have chosen to work with you for that reason, how you’ve adapted this plan over time, etc.)?

    A: When we first started MIGHTYkarma, we knew no one was going to work with us solely because we had good intentions. In retrospect, talking about intentions, karma and purpose probably wigged out more than a few company presidents we met with. Those ideals didn’t fit into a lot of company business plans. At least they didn’t 3 years ago. Today, business models are starting to shift and include words like intention, purpose, soul, or (if you’re Pepsi) refresh. Now everybody wants to do good and unscrew the world. The triple bottom line model (people, planet, profit) that a lot of companies, like Patagonia, have been working from forever is gaining ground with larger corporations. And that’s a good thing. About damn time. We believe in the triple bottom line approach. It’s a good start for a lot of companies. But it falls short of some ideas we believed are necessary to truly being sustainable. We believe “product” and “purpose” are also aspects of a smart, sustainable business plan. For us, the 5 P’s (people, planet, profit, product and purpose) drive our approach to how we work with potential clients. It’s taken a while to get here, but now we are working on projects with clients because of our approach (whether you think of it as philanthropic, mindful or sustainable). They understand that being solely bottom line driven, or product driven, or service driven is a weak business model. Economies go bust, products get recalled and employees can go on strike. So now when we talk about intentions, or karma, or purpose, we don’t wig out as many company presidents or marketing directors. At least they don’t show it, because we’re getting work from them.

    Q: On your website, you list three “MIGHTYkarma Intentions.” First on the list is “Good deeds through great work.” Do you require a “good deed” component in every client or project you take on?

    A: Good deeds through great work isn’t a component or tactic, it’s more like our mantra. Our rallying cry. The compass that guides us through the marketing jungle. It’s not meant to be literally attached to every project or client. It’s bigger than that. It’s our purpose for existing. More often than not, our clients do get involved on some level. However, if we can help our clients be successful, we can be successful, and through that, do something good. Whether it’s big or small, local or national, the goal is to make some type of positive contribution through the work.

    Q: You've often talked about "sustainable marketing" being synonymous with MIGHTYkarma. Can you give us any examples of printed or published work that MIGHTYkarma has done that would stay true to this mission?

    A: The most recent and comprehensive example would be the work we are currently doing with GreenSmart. Based in California, GreenSmart is an eco-design company that makes green computer bags, briefs, lunch totes and wine carriers. From day one, they adopted and have put into action a sustainable model based on the 5 P’s (people, planet, profit, product and purpose).

    Their overall goal is to help make the world a little greensmarter. And they are doing it from their designs, to their recycled/repurposed/green materials, to how they manufacture, package and ship their products. In every aspect, they try to exceed industry standards when it comes to creating smarter products and a healthier environment. Part of their purpose for existing is to provide environmental education and to enable all of us to make smarter choices about our lifestyles. We’ve worked with them on many aspects of their business from strategy to product design and packaging. We also helped them adopt a “give back” program, and they are donating 10% of their profits to the World Wildlife Fund. As part of their dedication to environmental education, every product is being named after an endangered species, including information on hangtags about that animal and why it needs your support.

    Q: MIGHTYkarma lists “enviro-vibe” as an area of expertise. What is “enviro-vibe”? We found this http://www.tgcseismic.com/972.881.1099/EnviroVibe_1.html as potential reference.

    A: That’s funny, but it’s not that. It’s actually a fancy word for how we do retail and trade show booths.

    Q: The folks at MIGHTYkarma have done some pretty tasty screen-printing on that big-ass screen-printing machine you purchased. Do you foresee this becoming a revenue channel for the agency, or is it a creative outlet?

    A: Right now it’s more of a creative outlet. An excuse to get out from behind the computer and get some ink on our hands…and shirt, and face, and shoes. We are getting more projects from clients who are looking to incorporate tees or silk-screened posters into their marketing materials. Which is a good thing, because screening is a lot of fun and usually involves beer. Beer=good.

    Q: If you could have the ultimate creative team under you, who would they be?

    A: I’m gonna have to go with the people that influenced me the most early on.

    Art Director: Bob Barrie
    Writer: Luke Sullivan
    Designer: Kit Hinrichs

    Q: In 2008, MIGHTYkarma moved into a sizeable warehouse space at 30th and Larimer. We were excited to see another creative shop move into that up-and-coming part of town. After about a year, you pulled out and moved the agency to the lower Highlands. Why the change?

    A: The heating sucked, and we were tired of freezing our asses off all winter.

    Q: Separate from—and in conjunction with—your advertising career, you’ve developed a name for yourself as a photographer. What do you find more rewarding: art directing a great photographer or manning the camera yourself?

    A: As an art director, I love working with great photographers and the energy they bring. But, I also love shooting. Having worked with people like Harry DeZitter, Andy Anderson and Steve Bonini over the years is why I fell in love with the idea of shooting in the first place. Every one of those guys went out of their way to help me understand their craft. For me, photography is just a natural part of how I stay creatively energized. It has also helped me become a better art director. And as long as I feel that way, I will keep doing them both.

    Q: You’re a black belt. You wanna throw down?

    A: The Alabama redneck in me says yes. My inner Buddha says no. I’m trying to nurture the inner Buddha more these days.

    Q: Where would you like to see MightyKarma in five years? In ten?

    A: The idea of MIGHTYkarma has always been philosophically based. Creativity will be at the core of what we do, but that “what we do” will most definitely shift in five years. We’re small, nimble and impatient with walking the exact path we’re currently on. We think MIGHTYkarma can step outside of the service category and into a more culturally focused one. We’ve got some ideas in the works. We’ll see.

    Q: Seriously, do you want to fight?

    A: Lucky for you, the Inner Buddha still says no. How about we see who can do the most pull-ups?

    Q: We'd lose. Speaking of fighters, how about Denver though. Where will we be in five years?

    A: The standard response from someone in the creative business is that Denver finds itself smack in the middle of the next creative revolution. And I think it could actually happen. I just don’t think it will be an advertising revolution. As a city, I see that creative badge coming from how the city is developing open spaces, architecture, mass transit and the arts. In the last ten years, I’ve watched Denver turn into a pretty cool city. If it stays focused in that direction, I think we will all be a part of something even better.

  • So, Are There No Scary Black People Any More?

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    This could be my most incendiary post to date. I don’t care at this point, as someone has to say it and it may as well be me. I am done with the political correctness that is running wild in advertising these days. It seems to me that the only stupid people in ads are white males, followed by white females. And as a white male, it gets right on my tits.

  • I Don’t Give A Flying F**k, Tiger.

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    Well, once again the whole world stops turning for something completely pointless. I know this has little to do with advertising, but this has to be said. This is not news. Tiger Woods, a millionaire golfer, got his bell-end wet with a bunch of women. He had multiple affairs. And so what?

  • People We Need to Thank

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    The newly designed, full strength Denver Egotist site has been up for a few days shy of a month. We have 800 members since the relaunch, a thriving community, a bulging list of great jobs from great companies, consistently growing site traffic, and a venue we're damn proud to show off to anyone willing to give us the time. Despite wanting to take every ounce of credit for what you see before you, it's right time we thanked a few of the people who helped bring us to this point.

    If you don't know about Ben Pieratt and his Boston company full of medieval creative wizardry, General Projects, go check them out. Ben designed our new site, and he acts as managing director and general creative consultant for us on an ongoing basis.

    For development, we partnered with Portland's Wolverine (formerly Oyoaha). We talked to 13 digital agencies in Colorado before ever going this route. It was a difficult choice. Wolverine was selected because of their ability to help us intelligently pare down our initial blue-sky vision for this iteration of the site – as well as the generous price they offered us (it's coming out of our rather empty pockets, after all). We know we might get a tongue lashing for going outside CO, but in the end it was too hard to go any other route. They did a great job for us and the system is working flawlessly, as promised.

    For SEO, our friends at Denver's Booyah Online Advertising generously donated their time and expertise. Man, did they kill it. Our traffic increased 20% month-over-month out of the gate – typically a time when a site can falter because of the transition. Additionally, our keyword rankings held steady and improved overall with the new site. It'd be very easy to make up some compliments about Booyah because they did the work pro bono, but we can genuinely say it's been a serious pleasure working with them through the process. It was easy and understandable, and we'd highly recommend them to you.

    Finally, we'd like to thank the dozen or so contributors who have kept the content flowing for all this time. It'd be pretty dead around here with you. And, dear readers, you should know the comments and the feedback and the love and the hate are truly what make this site interesting and what drive us to continue bringing it to you, daily. Please keep the submissions and the feedback coming.

    Onward.

  • Super Bowl Ads Can Go Suck A Tailpipe

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    Another Super Bowl is over, and the topic of conversation around the various water coolers across the country will focus more on the ads than the game itself. And I am so bored with it all. Can we please just stop this fucking madness?

    Creating an ad for the Super Bowl makes shooting fish in a barrel look difficult. I'm not saying I could fart a good one out any time of the day or night, although I probably could...and so could you.

    No, what I'm saying is that advertisers have a captive audience of millions and millions. It's the one time of the year when people look forward to the ad breaks, rather than zipping past them on the DVR.

    So as a creative team "lucky enough" to work on one, you are told this: "hey guys, here a few million bucks, getting noticed won't be a problem either, and the usual client bullshit and trepidation won't apply...now go, get creative."

    What happens? On the whole, we see lame ideas wrapped in lavish packaging. We get effects usually reserved for Hollywood movies. We see outrageous plots and stunts. And when the budget doesn't stretch that far because it's all been spent on the media buy, well, we see the other standbys - frat house gags and semi-naked women. The beer brands love them some naked chicks.

    And as for GoDaddy, well that Bob Parsons fella should be charged with criminal pollution for the complete shit he puts on the air, and the "too hot for TV" horse manure that plays on his website. Oh, yeah, that's real tough...start a Penthouse pet stripping on TV; tell the guys she'll finish it off on the site. Fucking genius.

    Advertising as a craft is more than a big budget, cheap thrills and a captive audience. In fact, I was once told that any kid can come into an agency with a book filled with amazing, but expensive, ideas. Come into the agency with a killer idea that will capture the imagination of the target audience, and do it on a dime...you're hired my friend.

    If the Super Bowl ads are an example of what our industry can do when they're left to be creative, then we're all royally fucked. What's creative, if you're really being honest, about most of the stuff you saw over the course of Sunday's TV viewing? Were there a few gems? Sure. Was it the big effects that made those gems great, or did they have a genuinely good idea that would stand out regardless of what the day was? That's way more likely.

    As time goes on, the Super Bowl ads will no doubt go one of two ways. They'll get even more costly and ridiculous, with the 2019 GoDaddy spot featuring hardcore anal penetration and midget bestiality. Or, brands like Pepsi (who pulled out this year) will find a better use for their millions and millions of dollars. I'm looking forward to the latter.

    These Super Bowl ads are not a challenge, and they're not advertising. In fact, they're the freak show of advertising, and it's about time we put them out of their misery. Haters, leave your scathing remarks in the comments box below. Thanks.

  • New Year. New Site. New Rant. New Felix?

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    Last night I sat in my favorite old armchair, put on my smoking jacket (I don’t smoke, oh the irony) and poured myself a glass of Glenmorangie Single Malt. There’s nothing quite like sipping on a fine whisky as you’re flicking, metaphorically speaking, through the pages of your old articles. And then I noticed something of a pattern.

    Did I spend 2009 being a vile and viscous hater, spewing acidic venom on anyone and anything that caught my bloodshot eye?

    Yes. No question.

    Did I take every opportunity to be a complete bastard, even when responding to comments?

    Guilty.

  • Predict the 2010 Colorado Agency of the Year

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    You’ve cast your vote for last year’s Agency of the Year. Who’s going to be the best agency in Colorado by the end of 2010?

  • Vote for the 2009 Colorado Agency of the Year

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    After a year in which it was a struggle to even keep the lights on, let alone grow an agency, we proudly present our third annual 2009 Colorado Agency of the Year poll. Our criteria for the most deserving agency is as follows. Feel free to add your own when you cast your vote.

    1 – Authenticity, creativity and consistency of output.
    2 – Success in retaining clients and winning new business.
    3 – Strength of billings.

    Who gets your vote?

  • Get Your Gossip Here

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    It’s been a while since we did this, but let’s give it another go. Pick up a tidbit and drop one off. We’ll start. One Denver interactive firm is going up, another is going the opposite direction. Your turn.

  • Selected Winning Work from The Denver 50 Show 2009

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    If you were there last night, you already know. If you weren’t, you’re about to.

    Instead of standing on the ad stage for its annual award show like an awkward, pimply-faced teen stumbling through a rendition of the Jonas Brothers’ ‘Lovebug,’ Denver was Ozzy in his Black Sabbath heyday biting off the head of a rabies-ridden bat last night. That was dramatic. The winning work made us feel pretty damn stoked to be part of what’s going on in the ad industry in this city right now.

    Among the many “I-wish-I-did-that” looks on attendee’s faces, it was great to see some agencies that haven’t been represented in the past. Similar to Sukle dominating the show with its work for Denver Water last year, Boulder’s TDA had a huge number of well-deserved pieces selected from their FirstBank campaign this year. We were also happy to see Crispin’s Whopper Sacrifice campaign for Burger King posted among the 50 winning ideas. The Boulder juggernaut could certainly have overtaken the entire show if desired, but we’re excited (and hopeful for the future) that they’re showing support for the local scene by at least firing off a handful of entries. A few new players also grabbed up some brass, including Futuristic Films, OBrien Advertising and Sterling-Rice Group.

    The only low point of the evening was when they ran out of mini-beef wellingtons. And the bar ran out of limes. Or rather, the bar never stocked limes. Two things we’ll easily look past because the work was so tasty.

    The ad club was kind enough to let us post a pdf of the entire book (40 MB pdf) for your downloading pleasure if you didn’t get a hard copy at the show (be sure to look at the sponsors page to see who helped fund the fun). You can grab that here. And if you want a hard copy of your own, order one for $15 here.

    Here’s a selection of our favorite work from The Denver 50 2009. Nice showing, Denver. And nice work, ad club. The club has definitely righted itself after last year’s snore fest and the future is looking bright(er). Let’s keep going.

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    Pizza Inn TV; TDA Advertising & Design
    Families find some ridiculous reasons to argue, but Pizza Inn provides one thing they can always agree on. That was the simple idea behind this TV and radio campaign meant to make people laugh and get them talking about Pizza Inn again.

    Jimmy John’s Studio Micro Site; Xylem Digital
    Jimmy John’s is a sub shop that happens to make a killer sandwich – but one thing that separates it from competitors is their speed. They make a sandwich so fast, it’s Freaky! Using viral and community marketing, which as we all know can also be Freaky Fast, Xylem used the theme to develop and design the yearlong Jimmy John’s Freaky Fast campaign.

    The campaign began with the Freaky Fast Garage micro site, using NASCAR to emphasize sandwich delivery that’s “So Fast You’ll Freak.” The Sizzle site promoted making it fast and fun and the Jimmy John’s Studio micro site enabled fans to record their own karaoke, singing along with the “So Fast You’ll Freak” theme song. Xylem gave fans the opportunity to create custom vocals set to 5 music genres, record the audio mix and send it to friends or to a mobile device as a ring-tone.

    FirstBank Airport Mobile Alerts; TDA Advertising & Design
    Denver International Airport is one of the biggest and busiest airports in the country; over 50 million passengers fly in and out. FirstBank wanted to make their presence known, by practically owning the advertising within the facility. They set out to tie-in airport-related ideas with the fact that their Mobile Banking and Mobile Alerts features can work anywhere. Now, everywhere you go is a branch of FirstBank. You can see if your check deposited while waiting at baggage claim, or check your balance while sitting at your gate. A great feature with an appropriate tie-in.

    Mountain Dew DEWmocracy; Motive
    Mountain Dew reintroduced its user-generated soda program, DEWmocracy, with a twist—this year, every component and decision about the program would be user-driven. Flavor; name; packaging; advertising. In 2010, the new DEW would be truly “by the people.”

    For its launch, Motive created DEW Labs, a crowd-sourcing think-thank providing a transparent platform for consumer involvement. Web-centric celebrities Ashton Kutcher and Shira Lazar helped kick things off with a promotional challenge encouraging consumers to “show their DEWness” via video or email. The top ‘DEWmeisters’ landed roles in DEW Labs’ first phase: choosing the flavor. Winners received seven never-before-tasted DEW flavors, DEW-inspired art, FlipVideo Camcorders, and one objective: taste, debate, and ultimately decide your favorite flavor, capturing the process on video.

    Hundreds of video submissions, 50 tasting videos and millions of social media impressions made DEWmocracy’s launch a viral sensation. DEW Labs is now evolving into a permanent platform for consumer engagement.

    Denver Water Grass Is Dumb; Sukle Advertising & Design
    After months of intensive account planning and in-depth research we uncovered THE key insight; grass is ignorant. It didn’t know the square root of 9,879,879,212,340. It didn’t know the 17th President of the United States. It didn’t even know basic geography. And it certainly wouldn’t notice a little less water. A reduction of just 2 minutes of watering would save the city nearly 1 million gallons of water each summer. An out-of-home, TV and guerilla campaign drove the message home and helped to reduce water consumption to new levels.

    Wyoming Department of Health Let it Out Campaign; Barnhart
    Wyoming is a beautiful, sparsely populated state. But sadly it has one of the highest youth suicide rates in the country. So when the Wyoming Department of Health came to us for help, we asked ourselves “How do you tell someone not to commit suicide?” We concluded that you don’t. Wyoming needed a cultural shift to get teens and young adults to open up. We developed a campaign aimed at promoting a website for them to talk openly and honestly about everything: a place to vent. We set up statewide rage events that included car smashes, guitar hero competitions, live bands and even a bucking rooster, all with the theme Let it Out. Add in a video contest and give away posters and t-shirts, stickers and custom skateboards, and we found that we weren’t only getting our message out there, but we’d started a bit of a movement. What started as a website with blog postings and multimedia content, has become an online community where kids have opened up much faster than we ever thought possible. Engagement and time on the site has surpassed everyone’s expectations. Here’s to letting it out in Wyoming.

    Department of Public Health and Environment The Cigarette is Dead; Cactus
    The brief was to motivate young adults to quit smoking. Today, smoking has become passé due to the wide-spread knowledge of its unhealthy effects; but, we needed to bury the impulse to light-up completely.

    The Cigarette is Dead hit the urban landscape with chalk stencils, banners, large-form posters and building projections, murals and structural drapes. It created an underground sensation and ignited chatter for the movement. We extended the movement by documenting the guerilla components in print and TV ads. Guerilla and mass media pushed to the Web site; the site presented the grim facts, invited visitors to share their experiences, and linked them to resources to kill their addiction.

    From sidewalks to skyscrapers, 75,000 off-line executions were posted, projected, glued, draped and dropped in the first three months alone. We conducted events on 17 campuses and in 28 communities in 73 days.

    The Cigarette Is Dead from FL2 Interactive on Vimeo.

    Keystone Light Keystolog; The Integer Group
    Campers and hunters have two things in common. They love the great outdoors, and swapping stories around the campfire. The last thing these guys want to do is waste time scouting for soggy twigs to get the fire going.

    Keystone Light comes to the rescue with the Keystolog: kindling these guys could download and print from a special microsite, cut and fold into logs, and bingo—the fire’s going in no time.

    Colorado Lottery “Bomb Squad” TV Spot; Cactus
    The Brief: Drive sales of Colorado Lottery Scratch tickets. Remind viewers that luck happens everyday.

    The Execution: The Luck Happens TV campaign tells the story of everyday characters who are hit by the stroke of luck. The quirky spots feature unexpected, over-the-top story lines that are rooted in reality—they resonate with the dream of winning inside each of us. For the first time in the Lottery’s history, the Lottery has received consumer emails asking why “Bomb Squad” was taken off the air and asking for it to run again.

    Chez Cheese Gourmet Market Posters/Nontraditional; OBrien Advertising
    Research showed that many people were too intimidated to enter a fine cheese store due to their lack of “cheese knowledge.” So we decided to position Chez Cheese as the cheese experts who can put people at ease and educate them on all the different types of cheese in the world.

    The posters were placed in high pedestrian areas around the cheese store and the mouse trap with the sign “Capture some cheese knowledge” was placed in the same vicinity with an arrow pointing toward the store.